Just wanted to chime in to point out that cinema is an entirely White art form. Every stage of the ingenious creation of motion picture cameras, sprocketed film, and projection systems was invented by Europeans and their diaspora, from Muybridge to Edison to Eastman to the Lumiere Bros. to Griffith, and so on, going all the way back to "Opticks" by Isaac Newton.

We made not just the inventions that made the art form possible, but the language of the art form itself: the cut, the dissolve, the close-up, the tracking shot, et cetera. All the basic elements of filmmaking language still in use today were invented by White filmmakers.

In a very real sense, when someone who isn't White makes a film, they're co-opting White culture, and engaging in a White art form, just as much as we would be engaging in a Japanese art form if we put on kumadori make up and staged a kabuki play. We could make our play about America, but the art form itself would still be Japanese.

Whites are too embarrassed to claim responsibility for something and momentous and ubiquitous as cinema. We are the first to say that film is a universal art form and to praise filmmakers from around the world. But so many generations of this has led to a world where most Whites don't even realize that cinema is White culture, that it did not exist before we created it, and that it relied on the unique qualities of our civilization and our people to create it, our unique devotion to both science and art.

Jews just made money with it.