Constricting snakes instinctively 'know' that the secret to killing their prey before eating them is to tighten the death grip each time the rodent exhales. Each new exhalation (emptying of the lungs) provides the snake that much more space to constrict the poor exhausted creature further and further.
As it is with snakes, a clever Globalist-Marxist knows when to pause the pressure on his squirming victims (us!) and when to start squeezing again. That's exactly what the European Union is doing here. After a 2-year period in which as many as 2 million World invaders broke into Europe, the Globalists feel it necessary to lighten up a bit on their death grip. In doing so, the growing outrage and passionate political activism of the native European people will soon yield to an "exhalation" -- followed by an even tighter constriction.
Squeeze - relax. Squeeze - relax. The EU snakes know better than to try and kill their victims too quickly.
This much-publicized announcement, which decrees that new migrants passing from Turkey though Greece are to be returned, will pause some of the pressure. But the mostly male migrants who have already scurried into Europe are there to stay; and the ones arriving in Italy by way of post-Qaddafi Libya will keep on arriving as well. In due time, we can expect the Turkey-Greece return policy to go unenforced, if it ever gets enforced at all. A ton of media hype about the various "crackdowns", combined with a few diversionary football (soccer) games, and Boobus Europiticus will soon be able to "exhale" again -- rendering him primed and ready for the next level.
Until we come to understand that the great game is not meant to end until the very last non-Jewish White Man on Planet Earth has been genetically blended out, died out due to old age or even killed -- the snake will resume his death grip again and again and again. It won't stop until "the West" is too tightly squeezed and exhausted to offer any resistance at all. That is the basis of what we refer to as "the Kalergi Plan".
Richard Coudenhove Kalergi
Kalergi was the son of an Austrian diplomat named Heinrich von Coudenhove-Kalergi and a Japanese woman named Mitsu Aoyama. His movement was financially backed by Zionist billionaire bosses such as Rothschild, Baruch and Warburg. With such high-powered backers and close contacts with European aristocrats and politicians, Kalergi managed to attract important heads of state to his project for European integration -- what Winston Churchill openly referred to, in 1945, as the "United States of Europe."
Very few people know that Kalergi, one of the main "founding fathers" of the process of European integration, also designed the genocide for the peoples of Europe. As far back as 1922, Kalergi founded the "Pan-European" movement in Austria, which aimed to create a federation of nations led by the United States. European integration would be the first step in creating a future world government. However, it seems that this will likely be a multilateral front initially.
With the rise of Benito Mussolini in Italy, Hitler in Germany and General Francisco Franco in Spain, Kalergi's inspired 'One Europe' project was put on hold. But very soon after the final crushing defeat of Germany in 1945, Kalergi's New World Order, thanks to the support of Winston Churchill, the Jewish B'nai B'rith and major newspapers like the New York times, began to take its first visible steps toward fruition.
In his book 'Praktischer Idealismus', Kalergi boldly declares that the citizens of the future
"United States of Europe" will not be White people anymore. In his own words:
"The man of the future will be of mixed race. The races and classes of today will gradually disappear due to the elimination of space, time, and prejudice. The Eurasian-negroid race of the future, similar in appearance to the Ancient Egyptians, will replace the diversity of peoples with the diversity of individuals.
Of course, Kalergi's chosenite paymasters will not be replaced or blended out by this "Eurasian-negroid race of the future". Writes the hired hack of his paymasters:
"Instead of destroying European Judaism, Europe, against her will, refined and educated this people, driving them to their future status as a leading nation through this artificial evolutionary process. It's not surprising that the people that escaped from the Ghetto-Prison, became the spiritual nobility of Europe. Thus, the compassionate care given by Europe created a new breed of aristocrats. This happened when the European feudal aristocracy crashed because of the emancipation of the Jews."
^ ^ ^ Kalergis' "Nobility": George Soros, "Sir" Evelyn & "Lord" Jacob de Rothschild, Arthur Ochs-Sulzberger
The Kalergi plan is the New World Order plan, and it's not just for Europe. White genocide is very real but slow process and is playing out exactly as Kalergi and his handlers envisioned it. That is the real reason why the Marshall Plan contained hidden provisions for unifying Europe; and it is also the reason why the Frumpy Frau of Germany is acting as "stupidly" as she is. Speaking of Marxist Merkel; for her slavish devotion to Rothschild's European Unionism, the wicked wench received the "prestigious" Charlemagne Prize in 2008 --- mistakenly referred to by some as the "Kalergi Prize" because Kalergi was its very first recipient in 1950.
Besides Kalergi and Merkel, other notable recipients of this treasonous "honor" include:
Winston Churchill (1956),
George Marshall (1959),
Henry Kissinger (1987),
Queen Beatrix of The Netherlands (1996),
Tony Blair (1999), Bill Clinton (2000),
Jean Claude Juncker (2006),
Donald Tusk (2010)
Pope Francis (2016).
Talk about a rogue's gallery of Globalists
This is where the nihilist subculture of art comes into play.
THE KALERGI PLAN SET TO ART
A giant mural painting on the floor below Paris' iconic Eiffel Tower was completed in September of 2016 by a Los Angeles-based artist named Cleon Peterson. The bizarre "work of art" is titled, "Endless Sleep" -- an obvious reference to the coming "endless sleep" of the White Race. There is really no need for us to interpret the meaning of Peterson's obscenity. To all but the most brain-dead of persons, the massive 500 square-meter image, best viewed from the top of the Eiffel Tower while looking straight down, speaks for itself.
Have a look and tell me what you think?
Black figures are superimposed over the White characters, as a Black male and White female embrace passionately in the center. The linked arms of the Blacks form a 6-pointed Star of David.
^ ^ ^ Cleon Peterson
The Star of David at the center is an obvious tribute to the very Tribe that is behind White Genocide and to the House of Rothschild in particular. But don't take our word for it. Here it is, from a tweet, from Peterson himself:
^ ^ ^ Peterson, an "ex" heroine addict, tweeted out his gratitude to French banking couple Benjamin and Ariane de Rothschild. We suspect (though we have no solid evidence to present) that the "gratitude" is related to Peterson (with 10 helpers) having been commissioned to paint the disgusting White Genocide mural.
Should there be any remaining doubt as to what the Eiffel Tower floor mural truly symbolizes, a review of the self-loathing artist's earlier works -- depicting what he refers to as "the hedonistic triumphs of those who recognize themselves as victorious in the unfolding mirror of history" -- clearly confirms what Peterson and the Rothschilds are dreaming about. Be forewarned, these images are obscene and unsettling. SOME OF THE IMAGERY BELOW, THOUGH CARTOONISH IN NATURE, IS OBSCENE AND VIOLENT NSFW. These are their minds.
Before hooking up with the Rothschilds and painting Paris, Peterson was known for churning out scenes of torture, rape and mass murder of White people at the hands of Blacks --- a perfect hireling for the Rothschilds!
^ ^ ^ Plenty more such as this.
Cleon Peterson Artwork
Can you make something where the whites aren't depicted as losing or being replaced? I love your work, but it's always bittersweet and saddening for me being of mixed race.
Art Reflects Life
In hyperboria’s nous, white genocide, or the intentional replacement of whites is the reality of the world that we live in. Who is Hyperboria?
Hyperboria, 22 years of age is queer, and the husband of Mr. Meigrim, 20 years of age.
A beautiful androgynous picture of Mr. Meigrim.
Mr. Meigrim comments:
Please see the uncensored version on my profile. This photo has blurred the corrupting sight of my sinful earthly flesh in compliance with the wise moral discretion of Instagram's discreetly automated computer system.
Skulls, “misinformation” (as determined by who exactly isn't exactly clear) body parts, and partial nudity are now censored by an automatic Instagram system. Who knows what our unaccountable gatekeepers of the arts will do next.
Naturally, children browse social media, so it is only reasonable for the owners to censor nudity, especially decadent ‘art for art’s sake’? Thousands of other platforms promote said art.
Mr. Meigrim continues:
But our progressive corporate monopolists know better and have eliminated such impure remnants of the past to make Instagram more friendly to advertisers as well as users from brutal authoritarian regimes in the Third World. I don’t fit into this corporate-friendly world of Zuckerberg and Bezos.
He might be right, but these corporations have terms of service that must be followed. Instead, he should post his androgynous nudity on websites where children are not regular visitors.
A picture of him and his husband
And a markedly beautiful picture of him on his porch.
Here is more artwork from Cleon Peterson, the Rothschild associate:
A user comments:
So your art is a bunch of black dudes killing and raping white people ... ?
Beautiful art work depicting a stabbing:
More beautiful artwork depicting black figures raping and stabbing white women, one of whom is pleading for mercy:
One commenter, Aiden, a Pre-law student at ASU comments:
What are the odds this occultist artist creating art depicting blacks killing and raping whites just announced he is working with Benjamin Rothschild? Absolutely sick that this insidious agenda is right in our face and you fucking morons buy this disgusting post modern garbage.
Well, Aiden, despite all that ballyhoo, art is subjective and the Rothschild's are just a family. Who cares.
Richard Omcrae, a TEDx speaker and artist comments:
Great work but why are the Black images killing White images?
The next sculpture posted above is rather violent but sleek and beautiful in design.
A very angry commenter writes:
Hey mother fucker, mind telling us why you want to see white people killed? Are you a Jew?
I’m not sure where this girl gets off. Art is subjective. A black person choking and ready to impale a white women, should be displayed in public… It’s intriguing art after all.
His daughter sits between two beautiful subjective paintings depicting rape, torture and mutilation.
A commenter writes:
Your art is extremely good and provokes a lot of emotion, but why are all of you Black figure so savage? Is their some subtle message you want to get across?
In the last painting torture, stabbings and rape are depicted.
Nearly everyone loves his work, a minority, however, are uncertain. One commenter named Sharon writes, concerning the last painting:
What the fuck is wrong with you. Your work is sick.
Sharon just doesn’t understand that this is art and is highly subjective. Her mind only sees the violence in a painting that could mean many different things to many different people.
Mayson, an artist in England comments to Sharon:
because he is a Jewish fucker who wants to put this shit as true fact.
Mayson obviously, doesn’t understand that art is subjective.
No this doesn't scream racial hatred at all...🙄
Paramnesie, however, is in love with this painting, he comments:
I’m in love!
Paramnesie social media profile promotes Jeff Koons, who wasn’t in the spotlight a few years ago for pedophilia allegations and money laundering. /s
A website owner comments:
Why are the whites always the victims in your Art, and the savages (in underwear who all look alike) are always the transgressors?
Again, it’s subjective and it most likely does not paint whites as victims, case in point this:
What we see in the above painting is a black tickle monster. The white women clearly wants this black figure to tickle her.
This painting by Cleon also depicts tickle monsters.
To fully illustrate the vitriol, let’s simply imagine a reverse of races of the torturers and the victims. But to be perfectly frank, this is real trans-humanist racism (as opposed to imaginary) to both whites and blacks for portraying them in this manner. It is classic divide and conquer agitprop. Once in a while Peterson likes to spice things up with black-on-black brutality.
Interestingly, in the picture below Peterson hash-tags the Rothschilds.
So this is "art" now? If that's the case, my dog drops a huge piece of art in the front yard every morning. The global elite and NY hipsters would love his early morning masterpieces.
Cleon Peterson writes:
I’m extremely proud to have the opportunity to work with Ariane and Benjamin de Rothschild and the great #GITANATEAM on this monumental project. The project is curated by the @palaisdetokyo ’s Jean de Loisy and @hugovitrani of the #LascoProject. Here are the first images of the Maxi Edmond de Rothschild, a new generation trimaran at the very forefront of innovation.
Anyway, just some wonderful art! Bye
Also, this very same nihilist violent art was created by the 9/11 artists who probably created cover for the real riggers of the towers: Here's an example of their wonderful, kid friendly work, NSFW:
Just regular art--